Bridges O’er The Wensum – Carrow Bridge

As part of my River Wensum photographic record, I am going to post about each of the bridges along the Wensum, starting here with Carrow Bridge.

Carrow Bridge is a lifting bridge. Unfortunately, I have never been lucky enough to see it lift up. I like to peer into the little control hut and imagine it in operation. Despite my best attempts to find a video of it opening, so far, I haven’t been successful. All I can find is a video of the test opening in 2018 to allow TS Lord Nelson aka HMS Vale pass through, which isn’t particularly interesting!

The current Carrow Bridge was constructed in 1923 to replace the old bridge to the South. More recently, there have been plans by the council to weld the bridge shut. Read a press release from the Norwich Society about this here

Reginald Dann, lived in Carrow Bridge House (the former bridge master’s house) for more than 50 years until it was sold at auction. Thankfully, a plan by the county council to demolish it was defeated by the city council.

You can see images of the bridge open here in an EDP article, when the TS Lord Nelson passed through in 2004. There is also a nice image in the article of the The ship “Paullgate” of Hull carrying cargo under Carrow bridge at the port of Norwich. Dated 20 May 1966. The TS Lord Nelson was eventually decommissioned and now rests in Bristol.

I walk across the bridge at least once every day, and I also cross it every night. I enjoy looking out over both sides of Carrow bridge, but my favourite view is looking back up the river past the Devil’s Tower towards old Paper Mill Yard.

You can read more about the history of the Devil’s Tower here – it is a virtually unique structure in England, built in the early 14th century. Directly opposite is the Windlass Tower.

I will write more about the Wensum Boom Towers in future posts.

A view further up from Carrow Bridge.

Up river towards the old Colman’s factory site.
The Broads Authority River Ranger making checks near Carrow Bridge

Carrow Bridge by night.

I frequently pass under the bridge, on the way into the city. It is a favourite spot for pigeons to court in the spring. There is also the occasional dove.

Sometimes swans sit in the wooden under-structure compartments as if they were stables. I am sure there is a technical name for the structure, but I have no idea what it is.

Carrow Bridge by night.

Eric and Erica, the Egyptian geese, like to perch on the wooden sidings that are there to guide boats through, but usually they are keeping guard on the river bank. Occasionally, a heron perches near the bridge too.

On summer nights, if you are lucky, you may catch a glimpse of bats performing aerobatics around the bridge.

Eric and Erica keeping watch near Carrow Bridge

Street Art under Carrow Bridge

Every now and then, new street art appears under the bridge. These images have disappeared now, which is a shame because I really liked them. They are preferable to the meaningless tagging that crops up everywhere (not meaningless to gangs, I guess, but still an eyesore). 

To see old pictures of Carrow Bridge and the rest of the city, you may enjoy visiting the Francis Frith Collection.

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Sources used for this blog post: EDP24, The Norwich Society, the Francis Frith Collection, Norwich.Gov.uk, WivenhoeHistory.org.uk

Author: Petra Kidd

Norfolk UK is my home, I live in Norwich by the River Wensum where everyday there is something different to see and learn. I feel a big affinity with the river as I grew up in Cambridge, another great river city. My childhood and teens involved many walks along the Cam where we would watch 'The Bumps,' raft races and as we grew older we enjoyed adventures on our punting pub crawls. Growing up in a multi cultural university city definitely influenced my reading choices, I am a big fan of Japanese fiction, love French literature and enjoy Shakespeare. As a young teen I entertained myself with Jilly Cooper and Dick Francis and then became quite obsessed with Henri Charriere's Papillon. At school all I cared about was English, Art and French, in that exact order. When I finished with school I went to live and work in Greece for a wonderful year before returning to study English Literature and Sociology. At this point I read more classics like the Wyf of Bath, Wuthering Heights and Portrait of the Artist as a Young Man plus poets such as Wilfred Owen. My first UK full time job was with Heffer's Paperbacks where I devoured several books at a time, excited by the fact I could borrow what I liked. Bizarrely for me I remember reading The Zurich Axioms, I have no interest in the stock markets but it had me gripped. I can't remember why I picked it up but I have never forgotten it. Heffers introduced me to so many authors, via their books and sometimes in person. It was here I learned about all the genres, it fascinated me that science fiction and horror were so popular, I tried reading it all. Aside from writing letters, it didn't really ever occur to me to write anything myself for many years as I worked my way through a variety of interesting and varied jobs. Then on a visit to the London Aquarium I became struck by an idea so powerful I sat down and wrote my first novel. It went nowhere as really I wrote it because I wanted to. I wrote another novel and again, didn't have the persistance or determination to take it further, I simply enjoyed the process of writing and my characters. Then years later another idea struck me and during a severe bout of Pleurisy where I couldn't do anything physical for months, I wrote the Eight of Swords and The Putsi. This time I published them as ebooks and they became pretty popular. When I fully recovered, I had to concentrate on my business and looking after my mother who has various health issues and the writing went adrift again for many years until 2020 when the Coronavirus pandemic hit the world. March 2020 I moved to my apartment alongside the Wensum to live alone for the first time ever. During the first lockdown I began to write a diary and then the idea for a new set of short stories came to me and in February 2021 they will be published. The Covid-19 Pandemic is not simply a scary virus, it is a historical time and here we are trying to live through it. To many it will feel like a punishment but to me as a writer, in some ways, it came as a gift. Please stay as safe and as well as you can. I hope to entertain you with my stories as we all try to get through this together, even though we are apart. Petra

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